#Muddy waters electric mud album full#

Really, it doesnвЂ™t get more forensic and loving than this. Elsewhere, weвЂ™ve handpicked some other releases on Folklore Tapes which you can explore below.Д®very release is made with the utmost of care and precision, featuring lithographed sleeves, extensive sleevenotes featuring essays and photographs pertaining to each individual project. Our January Album Of The Month is Theo Brown and the Folklore Of Dartmoor, which takes a 70s Library / German Kosmische approach to the various legends and folk stories of a particularly haunted corner of England. Folklore Tapes has been responsible for excavating countless folklore and ghostly narrative from the darkest depths of Devon, Lancashire, DartmoorвЂ¦ really they present an alternative, eldritch and supernatural history of this endlessly weird collection of islands.ДЇolklore Tapes have created an exclusive sampler for Monorail Music called The Spirit Of Place: Ten Years of Folklore Tapes which we will be giving away with every order of something on the label. WeвЂ™re really excited to team up with one of our favourite labels, Folklore Tapes, run by David Chatton Barker.

#Muddy waters electric mud album full#

One of the great hippie myths of the 1960s, Wayward, Just Another Life to Live, rewrites the narrative of a barefoot girl on the road to describe a life lived at full tilt from the first, revealing what it means to change course and her emotional struggle, learning to take back control of her own life. After retreating to a musical wilderness for thirty years, the rediscovery of her recordings in 2000 brought Vashti a second chance to write, record and perform once more. Produced by Joe Boyd for Witchseason Productions and originally released on Philips in 1970, the album features contribution from Fairport ConventionвЂ™s Simon Nicol and Dave Swarbrick and The Incredible String BandвЂ™s Robin Williamson.ДЇrom an unconventional childhood in post-war London, to a fledgling career in mid-sixties pop вЂ“ recording a single written by Mick Jagger and Keith Richards вЂ“ to the despair and failure to make any headway with her own songs, she rejected the music world altogether and left it all behind. The title song is undeniable, nostalgic now but equally wistful and universal. ItвЂ™s a theme picked up in songs like Hebridean Sun, with BunyanвЂ™s description of her surroundings feeling even more now like a time out of place than it probably already did at the time. On Window Over The Bay, her unaccompanied voice breaks the song open, highly evocative of an unnamed Scottish coast presumably sung from a hill somewhere deep in the Highlands.

BunyanвЂ™s voice is timeless, aching across the decades and affecting on impact. Of course, itвЂ™s utterly beguiling and quite rightly considered once of the greatest statements of the 60s British folk movement, not least because it became an ultra rarity almost instantly. With melodies and structures that reference traditional English folksong, Bunyan weaves a completely unique, hermetically sealed universe that seems trapped in an amber of her imaginationвЂ™s making. BunyanвЂ™s music appears to hark back to an imagined English Lore on the cusp of folk. BunyanвЂ™s voice is both pure and fragile, recorded close to the microphone so you can hear every vowel enunciated into the grill and accompanied delicately by some of the key players in the British folk movement. The songs mostly concern the events that took place when Vashti and her lover travelled to the Hebrides in a horse and cart to join up with DonovanвЂ™s artistic community but by the time they got there that community had all left. ItвЂ™s a mythology that is unravelled in her eagerly anticipated autobiography, Wayward: Just Another Life To Live.ДЇamously leaving England with her partner Robert Lewis to travel through Scotland to the Hebrides by horse-driven cart (in the late 1960s, mind), Just Another Diamond Day catalogues the experiences the duo had and in turn becomes a personalised topography of late 60s Britain mixed with fantastical legend, a legend the artist constructed seemingly constructed herself through her travels.

The line between autobiography and self-mythologising blur on Vashti BunyanвЂ™s legendary debut, Just Another Diamond Day.